#specifically aang.

[phinamina]

Imagine how chaotic Aang's Team Avatar would be if he wasn't frozen for 100 years. Aang, Bumi, *and* Kuzon? Actually may be a good thing those three were never all in one place that we know of, it sounds dangerous

new au. but honestly i do think they probably got up to a lot of chaos if they were all in the same place at once (everyone hated them)

though also even though kuzon is a firebender in this au i dont think he would be aangs teacher cuz like. he doesnt seem like hes mastered it

like right here it says wimpy looking, if he was mastered he would be able to make it look stronger easily imo??? but idek who would teach the both of them. also bumi would be aangs teacher trust. but there could also be an au where kuzon and bumi got frozen with aang ???? but who would be omashus king 😭😭😭 idek atp im plotting ill update later on this

[sylvleon]

watching atla for the first time

[pbnmj]

doodles from between uni and gotg3...... rocket and nebula i love you guys so so so much

[threalcrabbysamantha]

sometimes it feels like i’m existing on a different plane than some of the atla fandom, like when people complain they can’t find zutara fics that also contains a positive depiction of the friendship between Aang, Katara, and Zuko

baby, I read them all the time - are we using two different AO3s??

[lukewarmfeminist777]

I'm not sure why some zutara shippers are reluctant to admit that Zuko despite being a traumatized teenager has been complicit in heinous atrocities, including aiding in the invasion of Ba Sing Se. I feel like this aspect of Zuko adds more flavor to Zutara. Like why the need to white wash Zuko's crimes and mistakes. Who gives a shit what anti zutara thinks. Isn't it romantically poetic that Katara out of her volition choose to love a difficult and multifaceted person?

[tourneys-by-me]

Round 6 (Bonus!) - The Elemental Free For All

[blorboazula]

I'm a tall!Azula truther BUT Azula as a chaotic friend in miniature, which means her tall friends will grab her by the back of her shirt like she's their messy kitten.

[my-cabbages-gorl]

Zukaang week approaches!!! Here’s a wip of agedup!Aang (14 and 16) Zukaang, inspired by a delicious fic that has my heart, details below!

“This, whatever this was, felt so foreign, but so, so good. He couldn’t explain it, but he didn’t want to. He just wanted to feel. He wanted to feel something other than anger, other than resentment.”

This scene and quote came from Chapter 1 of Could We Have Been, my dear friend @stark-phd’s aged up Zukaang AU fic. If you haven’t read it I HIGHLY recommend, it’ll have your lil Zukaang heart twisted up in KNOTS.

I can’t wait to see what everyone else makes for @zukaangweek !!

[likealittleheartbeat]

Why in the first season do we have the motif of Zuko stealing Katara’s mother’s betrothal necklace? Some point to a romantic subtext being read into this that, they argue, later gets ignored in order to prop up a problematic relationship for Katara with Aang, the protagonist. But if there’s subtext to be read in the theft of a betrothal token from a subjugated female by a male imperial representative, however, it’s the subtext of rape.

Why is it that it’s the women in the southern water tribe are gone? Ostensibly because they were the benders—but there’s a darker undertone, especially when we consider the clearly made analogy to indigenous peoples in North America, where even to this day native women are 2 times more likely to experience rape than those from other races. The fact that the necklace was her mother’s illustrates this legacy and connection, pointing us back to the original invasion of the tribe by the Fire nation, the attack on Katara’s mother by a single soldier inside their home (allowed in in order to protect Katara) and how Zuko’s actions at the beginning of the series echo it. This is not an auspicious place to begin a relationship if that’s what the writers were planning. Traditional enemies-to-lovers arcs usually involve prejudice but usually tied to pride, less so that kind of sexual violence. Despite Romeo and Juliet coming from warring families, it’s never implied that Romeo committed war crimes in the first act, especially not against the girl who falls for him, so we should perhaps be clued in that something different is going on in Katara and Zuko’s dynamic.

The intense rage, fear, and defense Katara puts up against Zuko in the finale of the first season (right after she has had to face the misogyny among her own people) is evocative of her response to his assaults throughout the first season. If this was not enough, we then have the rape of the moon spirit and the sacrifice of Yue for her people happening in the background, all pointing us back to the gendered violence of the empire Katara’s living under and fighting against. Her battle is not passionate because she secretly loves Zuko. She is doing everything within her power to protect herself and the spirit (literally the Avatar and figuratively within herself) that she has kept kindled despite the violent attempts to wipe it out—Zuko eventually prevails and steals a precious thing from her again…

When Katara and Zuko are imprisoned together during “The Crossroads of Destiny,” often seen as the peak of their romantic tension, they discuss their mothers, and Katara learns about the loss of Zuko’s mother (which we’re encouraged by the symbolism in the first season to read through the symbolic lens of gendered abuse and sexual violence, only now it’s domestic and internal rather than imperial). Zuko’s shift to a pitiable victim of abuse has softened his monstrous face for us, and the same happens to Katara in the catacombs, to the point where she’s willing to share a spiritual token with him.

It’s remarkable in the scene that, after being interrupted, there’s an effort made to remind the audience of Aang and Zuko’s continued antagonism—they glare at each other despite being in the embrace of the person who cares most about them in the world. And in the next scene, it’s revealed that Katara and Zuko’s reconciliation is actually not enough to transform Zuko’s loyalties. His desires for Aang and the redemption he can offer are too great.

In fact, throughout this couple of scenes, Zuko shows no interest in possessing or learning about Katara. She spouts off her grievances without his request, and then he shares his own loss only in defense to Katara's accusations and self-recognition in her stories, not as consolations for her pain. And Katara is moved by his vulnerability because she is so eager to see more evil within imperial power. She wants to hear the truth about how even those within it are injured. With all the feminine fantasy of being able to fix the behavior that toxic masculinity has induced, she suggests her spirit water might alleviate the scar Zuko bears--no forethought about preserving it for her own needs. Zuko doesn’t even request or accept the spirit water she offers him. It's all Katara. You'll be hard pressed to find a moment where Zuko expresses desire for Katara in this scene, a definite difference from his sexual aggression towards her in the first season. We as an audience are actually moved by his lack of desire her and what she has to offer because Katara is finally free from his predation (though it was only his initial violence that makes this neutral kind of freedom feel heartening).

The eventual gesture of Katara healing Zuko in “Sozin’s Comet” is free of his desire as well, unless you count the desire to protect a non-combatant, which has been Zuko’s reoccurring theme throughout the series, Katara or no (when he chooses the safety of his crew in "the storm," his advocacy for the lives of the fire nation soldiers that led him to banishment, etc.). The suggestion of rape arises here again with the penetrative nature of lightning, but the show has really complicated it’s gender dynamics by having Azula direct it, pointing to imperialism as the core concern rather than a simplified feminist reading. When Katara heals him, it's after she's cared for herself and defeated Azula now, and the words exchanged are "thank you," words of cordiality and comradery. They touch, but they are touches of equal counterparts rather than romance.

Reading romance into the simple refusal to commit colonial rape seems like a fairly low bar. This is neither what Katara nor Zuko are seeking out over the expanse of the series. They are looking for the transformative hope, action, and balance that the Avatar embodies, which, if anything allows them to stop fixating on each other and the dynamic of feminine colonized victim and masculine imperial patriarch that their world would have them locked into forever.

Aang does not go back in time to fix it all, but he brings an acceptance of reality that still allows for change. And this applies to the emotional states for the characters. Finding balance. Their griefs are not gone but not totalizing, either. They don't have to obsess or ruminate on it, or on the person who embodies the "problem" for them. The balance that the Avatar brings (and the fantasy that the show concludes with) is not a world in which the violence of colonialism never occurred but a world in which emotional release is possible from the intensifying dynamics colonialism forces its subjects into to sustain itself.

[woodlaflababab]

So, I got heavily inspired by this art by shange0211/Yishu and wanted to write a quick fic

This is just a snippet of Aang teaching Zuko how to dance.

-<>-

“Okay!” Aang started, brushing his hands over his robe to dispel nonexistent dust, “now that you know some simple solo moves, I want to teach you how to dance with other people.”

Zuko, who had progressively been getting over his reservations about this whole thing, went right back to looking at Aang like he was crazy. “What?”

“You know, dancing with a partner. Like the dragon dance, but uh,” Aang rubbed at the back of his head, “less firebending lessons.”

Zuko blinked at him a few times before putting his hands up and turning around. “No, I'm done.”

Before Zuko could take more than three steps, Aang was by his side, clinging to an arm. “Zuko!” Aang practically whined. “Come on, you've come this far, and dancing with other people is even more fun than dancing solo.” He tugged on Zuko's arm. “At least give it a shot.”

Zuko, becoming very familiar with this particular weakness of his, sighed and let Aang drag him to the middle of the room again.

“Okay, before I teach you any Fire Nation dances, I actually think we should start with a basic Earth Kingdom one.”

Zuko wrinkled his nose in distaste. “Why?”

“Fire Nation dances, while not as complicated as Water Tribe or air dances,” as Aang spoke, he backed away from Zuko and slid one hand behind his back while holding the other up in front of him, “move around, a lot.” With that, Aang started some dance routine, quickly moving across the floor. 

As he went, working his way around the room in a large circle, Zuko felt like he could kind of see where Aang was completing half of a dance, watching him move as though there was some phantom he danced with that only he could see. Zuko decided not to examine his immediate dislike for this theoretical phantom too closely.

After a bit, Aang seemed to close up his dance, coming to stand before Zuko once again and holding his hands neatly behind his back before dropping them. “Earth kingdom dances, however, tend to be simpler and easier to learn. At least,” he shrugged, “the common ones. There are a lot of special dances they do in specific cities or areas but I don't know a whole lot of those.”

Zuko had to refrain from snorting. Imagine that, Aang not knowing something. The way he went on sometimes, one would think he'd seen everything there was to see.

Aang paused for a second to think before lighting up again. “Oh! I know which one we can start with. It's actually a nobleman's dance, the rich people do it at parties and stuff, and it's really simple, give me your hand.” He stuck his own hand out expectantly.

Zuko hesitated just to nonverbally make the point that he thought this was stupid, but placed his hand inside Aang's nonetheless. He was then immediately thrown off his game as Aang pulled him forward so his hand could go on Aang's waist while Aang's went to his shoulder. Before Zuko could really catch up, Aang already had his other hand and was holding it out to their sides.

“This is the basic stance. Sometimes you break apart for other moves, but for the most part, you get to just stay like this and it's all in the foot work.” 

Aang grinned up at Zuko like that was supposed to reassure him, but Zuko was still trying to process the current situation.

“There's two parts to this, the lead and the follow. You should start by learning to lead though, that's what you're doing.” He nodded his head toward the side where he had his hand on Zuko's shoulder and Zuko's hand on his waist like that was supposed to mean anything to Zuko. “Now, just follow my steps. It's a basic three moves, okay?”

Aang looked up at him expectantly, and Zuko figured it sounded simple enough. Then something else occurred to him. “Wait, if I'm ‘leading’ why are you,” he hesitated as he tried to figure out how to word it, “leading?” was the word he uselessly landed on.

Thankfully Aang understood what he meant and let out a light easy laugh that coaxed some of the gathering tension from Zuko's shoulders. “It's just the name for things. Dancing isn't something you think about, you just do it. It doesn't matter what words you use, just follow me.”

“Whatever you say.” Zuko muttered.

Aang nodded before slowly taking a step back. It, a bit embarrassingly, took Zuko a second to figure out how he was supposed to follow Aang, but when he stepped forward to match Aang's movement, the proud grin he got as a reward seemed so much more poignant that close up.

Aang moved his other leg back in a bit of a sweep and Zuko, expecting it this time, followed along easily enough, ended by them bringing their feet back together. “Great!” Aang praised. “Now it's the same thing but backward, so now you step back.”

As he obeyed and repeated the moves backward, he found it was strangely gratifying as Aang moved with him step for step.

“Now we just do that box again.” With that, Aang once again stepped back.

Zuko followed after him as they moved smoothly through the cycle. It felt almost as easy as breathing, moving and matching Aang step for step and despite how simple the repetitive moves were, he was captivated. The flow of it, the simple trust that each step would be matched, how close they could be together and yet never run into each other. 

He found himself staring at Aang as Aang watched their hands for some reason Zuko was sure he'd never really understand. The simple focus in Aang, the ease with which he did everything, as though there really was nothing to think about, just movements shared, it was all fascinating to Zuko.

So much so that it took Zuko a moment to realize he was probably staring too hard when Aang turned back to him and gave him a weird look. Then it was Zuko's turn to look at their hands, but even that caught his eye in such an unexpected way. Getting to see the blue arrow cradled in his own hand as they glided over the floor, never wavering, like it was meant to rest there, caused a confusing flux of emotion he couldn't quite name.

Not that he'd ever been particularly good at that to begin with, but he felt even more lost than usual, like there was something he was missing.

“Zuko?”

Zuko's focus snapped back to Aang who was looking at him with an amused confusion. “You look like you're thinking, and I'm pretty sure I just said no thinking.” He teased and thankfully didn't ask about the thinking. Zuko had no idea how he'd answer.

So instead he latched onto the familiar easiness of teasing. “Sorry, not all of us can magically turn off our brains whenever we want.”

Aang's wide amused grin was almost difficult to witness when he was standing that close. “It's really not that hard. Maybe I should teach you how to meditate next.”

Zuko scowled. “I know how to meditate.”

“But you're really bad at it.” Aang pointed out without mercy. “Besides, maybe if I'm there it'll be easier to not overthink things.”

Zuko, for some strange reason, highly doubted that.

[the-badger-mole]

LOL I love going on TV Tropes and seeing things like "Tenzin being his only airbending child forced Aang to play favorites". But like...forced by who? No one forced Aang to do anything. There was nothing stopping him from spending time and sharing his culture with all three of his kids. He made a conscious decision to be a crappy father.

His hands were tied by Aang. He fought it, but once Aang makes a decision, Aang has no choice but to go along with the tyrant🙃. I think it's telling that Aang still felt able to teach the Acolytes, even though none of them were airbenders either.

[vapour-snake]

This came to me in a vision

Also ik the last one is Yugi and Kaiba but it fits too well😭

[sora-of-uranus]

The removal of the sexism pisses me off not because it just affects Sokkas character but because it has ruined almost every woman in the show.

Suki takes off her make up often, as if it isn't a large part of her cultural identity and personality, as if her being a kyoshi warior and her destinctly femenine clothes are something to be ashamed off or that hinders her. Because its only her that gets this treat amongst the warriors, and shes the only main kyoshi warrior for the audience.

Yue's entire character is removed. It is replaced with what I think is meant to be a sympathetic princess to the people, she joins the nans in the kitchens and make deserts for the children. Like a disney princess whose quirky and silly and held back only by her title of a princess. Gone is the battle between her desire to help and her duty to be a water tribe ideal woman. Gone is her realising that the best way to help her people is to not be an ideal woman, but to take action and to do what no one else can, to become one with the moon so that she can forever help not just her tribe but the entire world. It is depressing, it is deep, it isn't fair to her but when has the world ever been fair?

Katara aswell. Her bending is forever unlocked by men (Aang and Jet), her defiance of authority is lessened and her naievety is also changed. A lot of her motherhood role is also completlty gone since they have changed Sokkas sexism into elder brother smothering. Her fight with Paku holds a lot less significance since she has no RAGE behind her. No rage that has built for YEARS as time and time again people have said no to her face for being a woman, for being weak, for not being enough simply because of who she is. that doesn't exist for her anymore because the water tribes are just...nice. We see one bad person in the water tribe and its Hadoka and he's mean to sokka! Kataras rage comes from Paku saying no to her, and whilst thats swell, it changes her entire "I'm a master now" moment into just...lame girlbossery. Thats kinda how the entire last 2 episodes felt like for her character. A common girlboss character without the emotional depth to make it femenism.

I think my main issue is that both shows set themselves up as being femenist by nature. The og show wanted to tackle issues with sexism, using book 1 as its main demonstration with it, but the theme still follows throughout the narative. netflix's show outright said they were removing the sexist elements. When you place youself onto that pedastal, any sexist writing you have becomes emphasised.

The og show undoubtably has sexist moments! Irohs comments to June are the most obvious to me, a long with a couple comments from Zuko later on. You can certainly argue that the extreme lack of GOOD mother figures is an issue (Kat and Sokkas mother is dead, Zukos is 'dead', and Toph is awful and rather quite compared to her father). Theres other examples, although currently my brain cannot think of any since I don't often write indepth critisms.

The live actions main point of sexism is its female main characters. we literally meet Yue in the kitchen! Women can be in kitchens but that is certainly a choice! Theres this strange hatred for make up aswell, yes with Suki but also with Sokka. His war paint is removed. Its like saying make up cannot be worn by strong fighters which is rather sexist. Speaking off: not putting Sokka in the kyoshi outfit is just...dumb? If you want to show him learning the style, having him wear the outfit. Its an aspect of the style and philosophy. A man wearing make up and a skirt doesn't emasculate him yet the show makes it feel that way with the refusal to do it. "Oh but then you'd have Sokka and Suki kiss in the kyoshi outfits" who cares. "it will look like lesbians" it won't. Even if it did, who cares? you can't be 'femenist' and anti-lesbian. Putting Sokka in the Kyoshi outfit, having him respect it, is just as important as having Aang learn the other elements, or Iroh creating lightning redirection. Why? because it shows a respect of culture, and how you can blend that into your own way of thinking. It's cultural extchanged based on respect.

When you name yourself femenist, yet have explicitly sexist writing, your GOING to get dogpiled with critism based on that 'femenist' msg.

[slyvester101]

Atla au where Church is the Avatar but his connection to the spirit world is fucky because the Director (who is his dad in this au, think Lord Ozai in terms of evil, abusive dad) experimented on him when he found out he was the avatar to discovery why he was able to reincarnate and see if he could do the same for his dead wife.

In order to protect young Church from the abuse he's facing and to keep his spiritual connections intact in case the director cuts it off, the previous avatars decide to all inhabit Church's body. This obviously causes a lot of chaos within Church's mind as all the avatars mix and mash together in order to fit in Church's head and confuses all the spirits since they now have Church's memories mixed with their own and now they all believe that they are Church/are alive.

The director is obviously fascinated by this occurrence since it's not like when the avatar state where Church is imbued with all the knowledge of his previous lives to kick ass and instead is more like there's hundreds of separate "avatar states" Church can be in, all with their own specific strengths and weaknesses. (All the previous incarnations of the avatar are the fragments from RVB, Delta was an air monk turned avatar, Theta was an avatar that died at a young age, etc, etc).

Eventually, Church leaves but is being chased by his sister Carolina, who was being raised in a very Azula manner of being the best of the best with no room for failure (yes she is a firebender). He meets Tucker, a waterbender, and Caboose, a non-bender who believes with his whole heart that he is some kind of bender, and they join him on his adventure to become the avatar and take down the director and whatever corrupt shit he has going on (could be an empire, could be an illegal bender experimentation and trafficking ring) while avoiding getting roasted by his sister and her friends (the freelancers).

The reds also show up at some point (Sarge, Simmons, and Donut are all firebenders and Grif is an Earthbender) and start off as a group of bounty hunters chasing after the blues, but end up joining their gang on their shenanigans.

No, Tex is not a clone of Allison in this au, but she is a “vessel” that the director wants to use when and if he can resurrect his dead wife. No, the spirits of the avatars never leave Church, they have embedded themselves in his soul to protect him. They are just as much a part of Church as the AI fragments were in RVB and have been with him his basically his whole life.

Yes, Caboose does come to the conclusion that he is the avatar. No, you cannot convince him otherwise.

[eponastory]

Look... I try to be understanding...

But sometimes I'm reading Zutara fics where Aang is just a jealous nutcase and I literally want to give him a juice box and cookies before I send him off for a nap.

He be like a toddler sometimes.